the dixon avenue basements jams star ascends to the heavens and beyond with a cold crushin killer from modini. these are bonafide summer jams, just in time for the lick of heat we re having and perfect for slamming on whilst you scrape the melted tarmac off the road with a twig and guzzle bombastically coloured fizzy drinks. or alternatively, if you happen to be a fully grown-ass person, a 3-day roof party might do the do. the cut of modini s jib takes the shape of fully fledged funk cloak woven from the silk of the brazilian wandering spider, and adorned with jewels purchased on the black market from what is believed to have been a cache belonging to black caesar, most likely from his days of pillaging the florida keys circa 1718ad. bleepy house jams and halloween synth flurries belting out the mix, slabs of knee-grazing boogie and bulldozing dance floor drama - modini: hear thy name and know the essence of rhythmic grooooove. with this release dabj presents the first in a series of limited edition monotone prints (pictured below) from dan axon - simple ink on paper describing the energy of dabj, it s origins, people, music, direction and future.)

dance with a smile in your face and be happy.stourette de mar - this refers not to the sometimes declared tics - it s the newest ep out of the house from hanne & lore, released on the berlin based label stylerockets. multilayered and with a well-known female vocal from the early 90ies.

after the launch of jannowitz records and its madness compilation release in the beginning of this year, the label impressively reports back with patrik bergs new track differently. it is a groovy techno tune that will encourage the listeners to dance

both men speak a very similar language, moreover, they are in their human nature like-minded people, which may explain the successful convergence in this conception. detailed and playful dance music for the sensitive and delicate nature, with a fresh summery touch.

we dont really know if the young bryan kessler listened to kraftwerk, but then again we didnt ask - who cares, anyway? what’s certain, however, is that this punk renegade, songwriting wunderkind and all-around exceptional producer is a man of many faces, and all of them rock. discovered on stage while spouting anarchist pop slogans and showcasing an impressive underage mohawk haircut, he never was to be a bottled genius sticking to only one gun - and soon set out to become the lead singer and guitarist for neo punk nutters the pollywogs, while embarking on an equally public career as prolific dj and dance music producer

people must jam just keep on bringing the heat! one of new zealands best exports, apart from lamb - a dj and producer of considerable talents, whose musical output has graced a slew of respected outlets, from the uber cool unthank to rush hour, burek, dopeness galore & boogie bash, as well as his own fantastic hot shots imprint for his pmj debut, we have a five track set of rough and ready workouts, the echoes of thirty odd years of black us dance music held up with raw drum machine scaffolding. from smoked-out b boy jams to lo-fi sample joints - loose and alive on the floor on the flip lay far stirs up some sonic trouble with a bottom heavy rewire of the title track, while ugly drums bring some serious shine to linoleum magnets, with a mix that is heavy on immersive mood and vibe. limited to 300 copies.

respected black dance music dj, jo wallace, was commissioned to create a bespoke track to accompany this summers must see exhibition return of the rudeboy by its creators, dean chalkley and harris elliott. in order to deliver the track in a limited vinyl format, jo had to create a label. thus, ramrock was born. paying homage to the glorious heyday of jamaican rocksteady, jo tailored the sound to fit the flavour of the exhibition - more argyle socks than on the rocks. gathering together the production skills of the legendary ashley beedle, the talents of musical supremo darren morris and the mighty mc doxman, jo oversaw the whole project in the studio even lending a hand on backing vocals and percussive teacup.gentleman rudeboy is a track that will continue to fill dancehalls for many years to come. welcome to the world of ramrock

tekseven records. hailing from belfast n.ireland. the opening track orbit by tekseven is a trip into an off beat world of heavily laden beats, baselines, synths and sci-fi, evolving vocal lines seemingly sampled with precision from an old 50s t.v set somehow reminiscent of robert hood. the remix from uk artist binny continues along the sci-fi theme with a beautifully crafted ambient intro which turns into a thumping good retro feeling techno track! on the b-side teksevens atlas introduces us to some straight up no holds barred high quality light and shade techno that will loosen any dance floors rivets.last but not least is an excellent remix by mattias fridell verging more on the dub side of things with the deepest spacious bass that is a hallmark of his fine techno creations . all in all, a great first release from a brand new vinyl label. expect great things in the future.

francis inferno orchestra has steadily released a number of successive calls to the dance floor over the last few years. from smashing pianos on 3am piano thing to bouncing harmonizers on hezbolla, fios simple and subtle approach to song writing is his best asset and the reason we love his music

warmer than warm club/techno groovers by the man brooks mosher, delivering his third release on dolly. 4 very strong cuts with exactly that dreamy & sensual feeling which might be the main reason why we like to dance & sweat in the dark so much... body to body with the eyes closed, far away from everyday trouble... dance, make love and heal yourself. powerful dj-tool on several levels!

welcome to the new age of new age and enter the overworld by a.r.t. wilson aka andras fox. originally recorded for the contemporary dance work overworld by sarah aiken and rebecca jensen it was released on tape in very limited quantities this april. now its available in classy white and pink lake vinyl from growing bin records.

dj cana-pé debuts as a producer with a powerful vinyl release that includes all his musical experience as a vinyl dj. containing two tracks called 4/4-klack and der sache auf den grund gehen, this one is a double hit onto the dance floor that will make your body sweat and your face beam

with its frankie knuckles-esque arpeggiated synth motif and winsome, wide-eyed-with-wonder vocals courtesy of danny pratt, simple science is an assured and blissful revere, yearning, euphoric and primed for the dance floor. elsewhere on the vinyl, henry and sam gift us the sublime kosmische shuffle of red, blue and green.

q-ziqs new ep is a thing of joy and hazy childhood memories. the music of the future as it felt in the early eighties, filtered through the rhythmic shapes of more modern dance music innovations

surf dude is stockholm-based producer hnny poppin the cherry on the brand new label yummy. released in a see-through limited edition vinyl, dressed as crisp as those milky waves only a cocky surf dude would try to conquer. hnny has been yearning, and kissing and sneezing us up on the dance floor. but now its time to deliver his tunes in his very own honey pot, and boy is it yummy!

filsonik, one of new yorks finest old school underground dj/producers is down to make his debut on the illustrious hot creations imprint after his regular appearances at circo loco dc10 and close relationship with the martinez brothers brought him into orbit with jamie jones et al. a staple in jamies sets at the moment and always creating a major impact on the dance floor, dogfish is testament to filsoniks nuanced production skills and flair for a killer groove and a ridiculously infectious swagger.

the amity ep by matthew dekay is comprised of two wholly engrossing dance floor statements

trunk - and branches fetched by klangscheiben manager demas with diligent helpers from the forest. they built a wooden house of joy in the middle of the thuringian pampa. in the tree house they set up a small vinyl manufactory. what counts is lively, honest craftsmanship. hunter s tree! here they are, the pieces of wood, uh vinyl. scratched into the inner bark stands out: artists have placed their saws and axes in the shed and carved a few tasteful sounds in electronic sisyphean. chapeau et voilà, because what s crawling out of the wood boxes (clearly!) is not a worm, but musical understatement with pure groove research and a commitment to a culture of sound of the early perlon vinyls. oh god, always these analogies... but there were, no, there are good times for good music! this is magnificent fizzle funk with emo edge. relish and dance!

the chicago house legend strikes again with three more killer re-edits: freda paynes pullin back (gu edit) on the a-side, b/w easy to love (gu edit) from motown sounds space dance and lenny williams midnight girl (gu edit) on the flip. strictly limited pressing. burnin hot!

the next outing on mora music comes from leeds based tms, delivering two well-rounded & versatile tracks. *fuck you, pay me* is the peak timer with firing, pounding kick drums and off-key stabs in the background. it builds to a crescendo of intense feedback, before suddenly dropping with the bass line you have been waiting for. *slomotion* on the b-side is the slow burner of the ep confirmed by the beautiful hook that comes in halfway through the track. rounding off the release comes a remix of slomotion from mora music favourite bobby o donnell. this hypnotic trippy little number raises the bar, taking the track to an intense dance floor high.

there are two styles that dachshund does particularly well, airtight dance-floor grooves and lush emotive deep house. the towards others ep leans largely to the latter but with a knowing glance to the floor.

nathan fake and wesley matsell are both producers best known for their releases on border community - nathan fake has been putting out psychedelic permutations on dance music since 2003 for the label, while matsell recently released the blissful total order of being ep for them earlier in 2014. cambria instruments is a new label venture from the pair, and for the first release they have teamed up for a split 12- of kaleidoscopic electronic sounds. nathan fake s contribution black drift starts things off, an initially inauspicious tripping beat gathering momentum and morphing into a far-out piece of fuzzy house underpinned by sunken low-end rumbles. it s the kind of brilliantly wide-eyed track we have come to expect from the producer. over on the flip, wesley matsell s bismuth is a more shadowy, moody affair, a tight techno rhythm holding things together while synths spin wildly. a highly expressive, lysergic trip and one of his finest productions to date. all in all, you couldn t hope for a stronger start from a new label.

krakatau man, bodi bill collaborator and all-around nice kid thomalla with his debut on running back. built for an universe in which james holden is the caretaker, you get four slices of romantic krautpop-glitch-house that pleasantly diverge from the current state of dance affairs. artwork by stephane leonard.

jackoff beats is a various artist series from berlin based label jackoff records. in this 12 inch you can find returning jackoff artist, bristol based borai with another exceptional emotional track, long time family members oliver deutschmann and freestyle man with dance floor tools we could not resist to share. and last but not least, italian deep88 with his version of a house monster.

just in time for summer, our down under import dilby returns to mother recordings for the third time with a heavy-hitting and funky ep, sure to set dance floors on fire!same manthe a-side is built on a bed of tropical percussion fused with analog drum sounds and lush deep chords

multitalented berlin based virtuoso cosmo klein rocketed into the limelight back in 2010 with his collaboration alongside syke n sugarstarr & dbn on my belief , dominating the european dance charts whilst staying at no.1 in germany for several weeks.

though the iconic imagery of disco feels distinctly tied to the united states, the style had a wide-reaching influence that made it’s way to africa. while africa was already no stranger to the pulsing rhythms of funk, afro-beat, and highlife, the rise of disco added a slick sheen to the music, with musicians from all over the continent incorporating elements of the genre into their sounds. would there ever have been a studio 54 in ghana in late 70s, these would have been the recordings that would have packed the dance floor with their deep root in disco, soul & funk! an album recorded in the late 70s packed full of legendary musicians such as harry mosco and many more… to be re-discovered 35 years after it’s initial vinyl release as a private press. a “disco documentary full of funk” proves that it stands the test of time by sounding as fresh and original as any other sought-after disco / soul funk lp from the west coast of africa in the late 70s. bbe went on another crate-digging journey and found the original producer reindorf nana oppong and the original master tapes were dusted off, transferred to digital. in the process of this, even un-released material was discovered on the tapes, which makes this a rather special package. “nana love - disco documentary full of funk” is one special journey through afro disco & boogie in the late 70s, and we at bbe can guarantee that you won’t be disappointed!!!

das londoner quartett, bestehend aus thomas sanders (vocals, guitar), hiro amamiya (drums), jonny sanders (synths) und pete cattermoul (bass), veröffentlicht mit -breakfast- sein debütalbum via moshi moshi / pias cooperative. auf -breakfast- treffen minimalistische synthie-töne auf sanfte beats und verspielte melodien. in verbindung mit den märchenhaften und träumerischen texten von sänger thomas entsteht so der perfekte teleman-sound, der die band bei den fans so beliebt macht.

the 2lp vinyl collector’s edition of soul city philadelphia sees soul music authority clive richardson select 28 of the most sought-after tracks from his 60-track 2cd compilation. these recordings served to establish the musical direction of the city in the late 1950s and early 1960s, at the dawn of the soul era. compiled and annotated by soul music authority clive richardson, soul city philadelphia is the latest in a series that has previously explored the nascent soul scenes in detroit, new york, chicago and los angeles.

the new soft-spoken, hard-rocking group from baltimore debuted their full length live show at the wolf + lamb marcy hotel this march. following in the footsteps of greats like nicolas jaar and pillowtalk, they were the first invited guest in over 2 years to perform at the legendary brooklyn proving grounds. life on planets is a duo that met in the studio lofts of their east coast hometown, whereby a collaboration fusing indie artrock and electronic music began to take shape. it was a pairing of two dramatically different personas, merging as one for a serendipitous, romantic sound that s now been signed to the double standard label. life on planets has also released music through better on foot, where the debut single apollo made waves in early 2014. the touring act features live vocals and guitar, backed by a dj/producer, dawning a long-awaited return to authentic songwriting in dance music.

if you have spent some time in the nightclubs of amsterdam, you will probably have shaken a leg to the selecting skills of mr. mendel. youll find him often spinning side by side with rahaan, whos releasing mr. mendels edits on his third installment of street edits. including a respectful dance floor take on * mind powe*, the island disco stomper * boogie with the channel* and a gospel-like hypnotizing version of * spirit, the power*. this soulful 12- will certainly light up some dance floors around the world...

klinke auf cinch gelingt der spagat zwischen klassischer konzertsituation und fordender clubmusik. klinke auf cinch steht einmal mehr für beeindruckend tiefen sound in aufnahme und konzert. jedes kleinste geräusch, jede große geste wird kunstvoll gesetzt, findet platz zum atmen, liebe im detail. klinke auf cinch ist bei sich. highs & hills macht vor, wie brilliant musik klingen kann.

limited repress of this huge classic album!

this double vinyl compilation is 100 percent dance floor approved by comemian djs. the music was crafted by djs from the >inner circle<, meaning the likes of christian s, ana helder, alejandro paz, carisma and djs pareja, but also by some lovely guests we are welcoming here, for the first time

adult dance combo velour return with this erotically charged single. influenced by the hedonistic golden age of 1970s swing culture but with a flirtatious hint of 90s french house. the release provides a window into a world where decadence and romance are divided by a thin velvet curtain.

this debut release from the darkest pumpkin offers mid tempo funk and grooves by the way of techno arpeggios & soulful vocal samples all served on a dance floor pulse. on wax only for the forseeable future.

to rack & ruin comes thundering your way slap bang in time for summer courtesy of our italian disco brother in arms dj rocca and his compardre n2b. the usual high standard of sounds are as present as ever on the 6th instalment of our edits and reworks imprint. get up hits you with a rolling bassline that brims with plenty of pant flapping groove & wah wah guitar licks before that ever so familiar vocal kicks in for a full on reggae disco workout. weird safari certainly lives up to its name - a stripped back, dark & almost techno sound, alongside tinkering percussion and spaced out wild animal noises surely make for a weird safari. dubby pino has you from the off, all the foot stamping & money shaking elements are present - hooky guitar, fat bass loop, infectious percussion, soulful vocal licks and a gorgeous little piano break. mr rossi’s backpain starts off by getting the award for the best song title we’ve ever had on rack & ruin, but as well as that it’s in the proper groovy dance floor tackle category with a bassline & guitar that commands your respect and then when the 4/4 kicks in at 1 min, well just have a listen.

nice price deal !!! straight from the damp north-east of italy, through the hot caracas, here comes puas puas 004. two classy deep tech-house tracks by charles & george (aka alex piccini & mr. nice) plus a stunning techno remix by the newcomer ayarcana. cats have the power!

stomping dj tool techno!maan is the dance imperative incarnation for high-end tool techno. early support from ben klock, dvs1, rodhad and adam beyer amongst others

heavy deep disco invasion! black pearl record s mudegg (roskow kretschmann & tom sky) deliver insight into their knowledge about and passion for disco-music. one complex and well arranged song full of musicality and a keen sense of groove make „at light“ a bomb. sello s raw and straight rework and siggatunez rolling slo mo joint improve the fourth tieffrequent-release to a very diversified dance floor-filler and a very special piece of music..

straight out of egypt via berlin comes this excellent two-tracker from the little-known son of sun. according to the press release accompanying the whispers ep, both tracks were inspired by a week sailing a yacht around the black sea. true or not (we have our doubts), there s certainly a sun-kissed laziness - despite weighty kick-drums and hissing, detroit techno style cymbals - about the woozy, dubtribe soundsystem style deep house of a-side -moonchild-. while impressive, the real killer is -whispers-, which peppers a swinging, dance mania style hip-house groove with snaking saxophones and atmospheric, spoken word vocals. it feels like a late night adriatic anthem in the making.

bubbletease communications and running back team up once again. taken from the lp bt06 mutsumi, look down at your feet below and 58, 26, 34 & 2&#8243,,,, are two hard-hittin-freak-out dance tracks carrying the lyrical genius of mutsumi formerly known as mu. watch out! produced by maurice fulton.

limited special backstock !! hot trax is back with its third release 9 weeks, from first class female producer davina. injecting her sexy and seductive french touch she delivers two distinguished tracks aimed firmly at the dance floor holding onto a classic house vibe yet pushing creative boundaries and showcasing her immaculate production skills.

nice price deal !!! philipp quehenberger s music has existed as a consistent strain amongst the austrian underground for the last 15 years. his output is a cracking combination of dance floor zeal and deep disco disorientation. a perpetually rotating sphere which blends genres whilst bending the body and mind. quehenbergers sweaty cerebrum is significantly showcased on his second full length for editions mego.

weightausands music is born out of the crash between expectations and daily praxis. a dub-infused, non linear array of data in which memories, obsessions, in the shape of sound pieces borrowed from friends and collected from the most various sound sources (even cannibalizing dance music power cliches such as the amen break), are arranged to enter a psychic cage system set to take advantage of their raging power. the resulting tracks sound like jungle rave hits echoing from outside time. side b contains a doomy aquarian remix of by morkeblå, and a remix by concrete cave inhabitant heith of an unreleased track, produced with no previous listening of the original.

listening to the sound of konfetti klub ensemble creates associations of those sparkling drops that run down the side of an ice cold drink on hot summer days. it’s a very refreshing and delicious listening experience, it’s both stimulating and soothing. if you think the formula brass players + club groove is somewhat worn-out, you will be pleasantly surprised. pomelo comes with bouncy offbeat rhythms, and when the trombone hits in there’s clearly an air of balkan sound. however, around the middle of the track it turns into a joyful freestyle session. mollono.bass puts a bit more emphasis on beats, bass and pressure in his version, in other words: even a bit more emphasis on the dance floor. rotwein und sommerverbot gives a groovy hint why konfetti klub ensemble describe their sound as live brass house – it’s extremely jazzy and casual, a live session rather than a programmed arrangement. even more so schwankel, as it vibrates effortlessly between intricate musical deepness and sheer to-the-floor euphoria. last but not least there is a track exclusively for the digital release: stranddub – beach dub. let’s put it like that: there’s a damn good party happing at this beach.

first release on vi tva for this upcoming techno producer ink other darker side of young and talented producer from bosnia & hercegovina, azur odobasic. his new ink style is dedicated to an techno sound and frame of mind in regards to underground electronic dance music. we have on this release ink original track with remix support from powerfull techno artist with likes from worldwide djs and techno radio stations. osmicz is up on board with his dark and trippy edit of velocity, indigo children is serving much more groovy and harder techno sounds giving original some more power. forest people is on a remix work here too, he is doing amazing in 2013 and have some pretty amazing stuff upcoming in 2014 so with this guys on board this release is a really must have for all techno fans..stay tuned!

more sickness from gay marvine. a side pure disco and deep funk reshaped as tools for today. b side total cult classics revisioned to devestate any dance floor.

quality collection of 80s soul duo collins & collins finest moments all loud pressed on 12 inch vinyl. with the original 7 inches changing hands for ridiculous money, grab this chance to get your hands on all these amazing tracks on one 12 inch.